Thursday, 22 September 2011
If you also go to www.youtube.com/watch?v=_R0gKo58hDw you will see weaver Marguerite Stephens discussing translating the artist William Kentridge's original concepts into intricate, large-scale tapestries. Located in Diepsloot (a suburb of Johannesburg, South Africa), the Stephens Tapestry Studio employs a team of local weavers, spinners, and dyers who work on vertical looms using mohair spun in Swaziland.
Having witnessed first-hand one of the twentieth century's most contentious struggles—the dissolution of apartheid—William Kentridge brings the ambiguity and subtlety of personal experience to public subjects most often framed in narrowly defined terms. Using film, drawing, sculpture, animation, and performance, he transmutes sobering political events into powerful poetic allegories. Aware of myriad ways in which we construct the world by looking, Kentridge often uses optical illusions to extend his drawings-in-time into three dimensions.
|Artist weavers working on a tapestry |
with scores of coloured wools
|tapestry in progress |
with the weaving bobbins
The gentleman who gave the talk and showed us from the upper level what was going on in each area, was very knowledgeable and patient with all our questions but as it has been rather a long time since the visit, this is a very cursory report on it. I was so enthralled by it all that I forgot to take any photographs so I took these couple from the advertising leaflet. If you wish to find out more, go to www.austapestry.com.au .
I did buy some cones of the fine wool to use for making lace - possibly a scarf - when I get home. It was not easy to choose a colour from the array of 366 colours but I eventually settled on 3 shades of denim blue.
Saturday, 17 September 2011
|lovely in lilac|
|scrumptious in pumpkin|
|tatted glove and dolly bag|
|pretty in pink|
Wednesday, 27 July 2011
These are the painted bobbins that I brought with me. they are painted by Paddy Waters (aged 82) in South Africa and are very special.
These are the bobbins I bought from Josco Lace supplies www.joscolace.com.au They are in various woods with an Inlace Insert.
This one was a present from Leonie. It has a picture of a Quondong berry and leaves painted on it and a dried Quondong seed on it. Thank you Leonie
In the afternoon there was a short AGM and then a talk by a student of animation (sorry I did not get her name) who spoke about her short animated film with crocheted characters. She spoke of how she made the characters and did the animation and the film was very cute and suitable for children’s TV. Thanks to that she now has a contract for a TV series next year.
All in all it was a very pleasant day in convivial company
Thursday, 21 July 2011
About a week before leaving home for my holiday in Australia, I decided that I needed something lacey to wear. It had to be something contemporary that I could do quickly and take with me to finish off. After some thought I decided to do a scarf in a thick thread, with not too many bobbins and easy to do. I looked at all the scarf patterns that I have and nothing seemed to fit the bill so, as I have been doing a lot of chaotic ground recently and it grows quickly, it seemed to be the thing to do. Now for the thread. None of my lace threads seemed to be thick enough and I did not have time to go and buy something new, so I scratched all through my oddments of knitting wools and found some black double-knitting and some Twilleys Gold Dust in black and silver and purple and I rushed out and bought some “eyelash” thread for texture. After a couple of experiments I made a pricking of 20 pins across the top, spaced 1cm apart and pinholes down each side, spaced 2cm apart. No pins in the centre are required. 24 pairs of bobbins were needed in a random mixture of those threads, to allow for 1 pair on each pin and 2 pairs in cloth stitch (CTC) across the top and down each side.
I used my large Flemish Pillow with 30cm wide blocks and once I got going I could do 15cms in one hour. This is real mile-a-minute lace. I had not done much when I packed it into my suitcase, so I just took the lace and bobbins on 2 half-blocks 15cm by 30cm. Once settled into my son’s house I had to find something to support the bobbins while I worked. In the end I used the lid off my granddaughter’s toy box and a rolled up towel surrounding the blocks. It worked very well.
As the knitting wool was a bit stretchy I diluted some Moravia Starch with 10 parts water and sprayed it on each 15cm section as I made it. It still shrunk a little but the chaotic ground holds it’s shape OK.
Chaotic ground is worked – double stitch (CTCT), half-stitch CT, repeated across the first row. then half-stitch (CT), double stitch(CTCT) across the second row, making sure that a half-stitch is below a double stitch and a double stitch is below a half stitch all the time. If you have not done it before it can be a bit disconcerting as it takes 3 or 4 rows before the ground starts to take shape and it can slide around a lot. I did not put any pins in the middle as I wanted it to be a bit irregular. If you want it to be more regular, work the double stitch as half-stitch, pin, half-stitch. Of course, then you need to work on a 45 degree ground of pin-holes. I started with 4m on each bobbin and the eyelash thread ran out when the lace was 1.6m long so that is the length of the scarf. The eyelash thread is not easy to pull up and tension, but at least it is now finished and ready to wear at the Love Lace exhibition at the Powerhouse museum in Sydney at the end of the month.
I have not been able to get to the computer this week but I will try to catch up on some news now. Last Friday Liz Ligeti invited me to her home for tea and to talk lace (of course). When I arrived, lacemaker Vicki Jones-Evans was also there, and of course Liz’s husband Alex, so we had a lot to talk about. After tea and cakes and a lot of chat getting to know each other,Liz got out her box of needlelace pieces, which is ready for her teaching trip to the USA next week, and some of her bobbin lace pieces as well.
What a treat! Liz’s needlelace is stunning. So fine and beautifully worked. No wonder she is in demand as a teacher. Have a closer look at these few pieces.
.A dress front or modesty piece which Liz wears from time to time.
This was designed by Liz as a table runner and is sometimes worn as a pair of lappets. It is mainly Bedfordshire Lace with three needlelace inserts.
And the well known cap from the front cover of Barbara Underwood’s Bedfordshire Lace book, but this time made in a dark navy which shows itself off well against Liz’s white hair.
Thursday, 14 July 2011
"Last night I had a ‘date’ with my son. He took me to dinner at an Asian restaurant in Melbourne, The Red Spice Road, and then we went to the Regent Theatre to see “Love Never Dies”. That is the sequel to “Phantom of the Opera” and is just as dramatic as the original and the music is also as wonderful and powerful. I thoroughly recommend it and having a nice young man to escort me made it even better.
I also remembered another one of David’s pieces of lace that impressed me. This small handkerchief-sized piece is made with a silk so fine that it is difficult to pick up and the silk in the centre is also so fine that it is transparent and if you breathe too hard when looking at it it will just blow away!
Wednesday, 13 July 2011
While on holiday here in Melbourne, I could not resist the chance to visit David Collyer in Ballarat. The trains to Ballarat are not running due to work on the track, so I took the bus. It is only an hour and a half and David met me at the station and we went to his cosy home. I found him to be a very charming man and we talked about lace and life for about 4 hours. He got out all his own hand-made lace and some antique lace and some lace and crochet work from his mother, grandmother and great grandmother. What a treat. I took a lot of photos and here are some of them to share with you.
A fantastic wide Chantilly edging make in the finest Pipers silk
This bookmark was made for a bookmark exchange by Miriam Gidron in Israel. It appears to be a mixture of Milanese lettering and edging with a Bucks point ground and Bruges leaves. I liked it.
I remember David writing of making this wide Tonder edging, 2 or 3 years ago. It is a full square edging but does not have a fabric centre yet. So beautiful!
This square was designed by David from a Chantilly edging.
A fantastic Bucks point spray of roses with a modern edging.
I can’t remember if this is Bucks Point or Tonder but I like the eagles. This was also redesigned by David from a straight edging, redrawn onto polar graph paper.
The man himself at his giant lace pillow. 1 1/2 m square with a variety of blocks to move around.
Hello there. I first learned to make bobbin lace in 1977 when I lived in the Bedfordshire village of Wootton in England for 8 years. With my husband and children, I moved to South Africa in 1979 which just happened to be as the Witwatersrand Lace Guild was being started up by Jean Horne. So I have been a member of the guild since it’s inception and I am still a member. Bobbin lace has generally taken over my life since then and the picture of our house, which was drawn by Mary Hughes, lacemaker and bobbin painter, who is now unfortunately unable to paint any more due to age-related macular degeneration, is generally known as the Lace Place as I have been making lace and giving lessons there for 32 years and supplying the other lacemakers of South Africa with the lace pillows, bobbins, books etc for a long time.
I have had to travel to Australia to visit my son and family to get him to set up this blog for me, and I hope to write about my life as a lacemaker and the South African lace scene and whatever I come across related to lace and other crafts.